More software I just love: Plex. How to install on Ubuntu

Plex is like having Netflix, Spotify and Google Photos all in one bundle. Pay for it once or get a subscription or use the free version it is great stuff. If you don’t know, Plex is a popular media server software that allows you to organize and stream your favorite media content from a central location. This guide will walk you through installing Plex on Ubuntu-based Linux distributions in a manner that is easy to understand and execute, even for those new to Linux.

Preparation

Before we begin, make sure you have administrative access to your Ubuntu-based system. This process requires executing commands with sudo, which stands for “Super User DO”, allowing you to perform tasks that require administrative privileges.

Step-by-Step Installation Guide

  1. Update and Upgrade Your System First, open your terminal and update your system’s package list and upgrade the existing packages to their latest versions. This ensures that your system is up-to-date and compatible with the Plex installation. Type the following command and press Enter:
   sudo apt update && sudo apt upgrade
  1. Install Necessary Tools Next, install essential tools like wget, curl, and gpg that are needed for the Plex installation process. Run the following command:
   sudo apt install wget curl gpg gnupg2 software-properties-common apt-transport-https lsb-release ca-certificates
  1. Add the Plex Repository Plex is not available in the default Ubuntu repositories. Therefore, you need to add the Plex repository to your system. Use the following command:
   echo deb https://downloads.plex.tv/repo/deb public main | sudo tee /etc/apt/sources.list.d/plexmediaserver.list
  1. Download and Add Plex GPG Key This step involves downloading the official Plex GPG key and adding it to your system. This key verifies the authenticity of the Plex packages. Enter these commands:
   wget https://downloads.plex.tv/plex-keys/PlexSign.key
   cat PlexSign.key | sudo gpg --dearmor -o /etc/apt/trusted.gpg.d/PlexSigkey.gpg
  1. Install Plex Media Server Now, install the Plex Media Server by updating your package list again and then installing Plex. Run these commands:
   sudo apt update
   sudo apt install plexmediaserver
  1. Check Plex Media Server Status Finally, check whether the Plex Media Server is running properly on your system. Use this command:
   sudo systemctl status plexmediaserver.service

You should see an output indicating that the Plex service is active and running.

Conclusion

Congratulations! You have successfully installed Plex Media Server on your Ubuntu-based system. You can now navigate to http://localhost:32400/web on your web browser to access the Plex interface and start organizing and streaming your media.

Remember, it’s important to understand each step and its purpose. This way, not only do you achieve your goal but also learn more about how Linux systems work.

References

  • Plex Official Website. (n.d.). Retrieved from Plex
  • Ubuntu Documentation. (n.d.). Retrieved from Ubuntu
  • Linux Command Line Basics. (n.d.). Retrieved from Linux Command

Emma Stone Brings Her La La Land Charm to SNL’s Stage

Folks that know me are aware that I just loved La La Land. Saw it 3 times in the theaters and a couple of times a year, I will pull it up just to watch the opening and I would hardly consider myself a fan of musicals. But as the crisp December air begins to swirl around New York at Christmas time , “Saturday Night Live” gears up to welcome a star who has already dazzled us with her grace and talent on the big screen. Emma Stone, the Academy Award-winning actress known for her captivating performance in “La La Land,” is set to host SNL on December 2nd, bringing her unique blend of humor and charm to the iconic stage.

Stone, who won hearts and an Oscar for her portrayal of the aspiring actress Mia in “La La Land” (2016), is expected to infuse SNL with the same vibrant energy that made the film’s opening scene—a jubilant, traffic-stopping musical number on LA’s 405 freeway—unforgettable. This appearance marks a delightful turn for Stone, whose versatility and range have been evident throughout her career.

Fans of “La La Land” and Stone’s broader work can anticipate a night filled with laughter, memorable sketches, and perhaps even a nod to the whimsicality and dreams that “La La Land” so beautifully encapsulated. Stone’s ability to balance depth with lightheartedness makes her an ideal fit for the dynamic world of SNL, where comedy and topicality blend seamlessly.

While details of the sketches and potential surprise guests remain under wraps, the anticipation is palpable. SNL has a history of bringing out unexpected facets of its hosts, and with Stone’s natural comedic timing and proven dramatic chops, the audience is in for a treat.

As December 2nd approaches, one can’t help but recall the magic of “La La Land” and its message of perseverance and passion. Emma Stone, much like her character Mia, exemplifies the journey of following one’s dreams amidst the challenges. Her upcoming SNL hosting gig will have her joining the legends list that is the 5 timers club, It is not just a showcase of her talent but also a celebration of her journey as an artist who continues to break barriers and inspire.

In a world that often feels inundated with challenges, Emma Stone’s appearance on SNL is a reminder of the joy and escapism entertainment can provide. So, mark your calendars, and get ready to be whisked away for a night of laughter, nostalgia, and, who knows, maybe a little bit of that “La La Land” magic.


What I was listening to this month

At least half of the day, I am drawing inspiration from my Plex server and playlist. This month, we delve into a realm of the diverse.

  1. Yo La Tengo: “I Can Hear The Heart Beating As One”
    Yo La Tengo’s 1997 release, “I Can Hear The Heart Beating As One,” stands as their magnum opus. .
  2. Sambalanço Trio: “Sambalanço Trio”
    The self-titled 1966 album by Sambalanço Trio is a landmark in the world of Samba-Jazz.
  3. Bill Evans: “You Must Believe In Spring”
    Bill Evans’ “You Must Believe In Spring,” released posthumously in 1981, is a testament to his lyrical and emotive approach to jazz piano.
  4. Santana: “Abraxas”
    Santana’s 1970 album, “Abraxas,” is a fusion masterpiece.
  5. Warpaint: “Warpaint”
    The eponymous album “Warpaint,” released in 2014, represents the band at their dreamy and hypnotic best.

This November Plex playlist had albums I have enjoyed for years.

As Boilen Bids Adieu, His Tiny Desk Plays On

In the vast expanse of the 21st-century music scene, few figures have left as indelible a mark as Bob Boilen. As the founder of NPR’s iconic “Tiny Desk Concert” series and the creator of “All Songs Considered,” Boilen has been a guiding light, introducing audiences to a diverse array of artists and sounds. As he prepares to bid adieu to NPR after an illustrious 35-year tenure, the music world pauses to reflect on the legacy of a true pioneer.

From his early days in Brooklyn, New York, Boilen’s passion for music was evident. He played synthesizers in the Washington, D.C. band Tiny Desk Unit, which had the honor of being the first band to grace the stage of the legendary 9:30 Club. His journey took him from performing on stage to curating some of the most memorable musical moments for NPR listeners. As the director of “All Things Considered” from 1989 to 2007, Boilen’s musical interludes between news stories became the genesis for “All Songs Considered.”

The “Tiny Desk Concert” series, co-created with Stephen Thompson, has become a cultural phenomenon. What began as a whimsical idea to host intimate concerts at Boilen’s desk has transformed into a platform that has showcased over 800 artists, from indie darlings to global superstars like Taylor Swift, Mac Miller, and the Wu-Tang Clan. The series, inspired by a concert experience where the crowd’s noise overpowered singer Laura Gibson’s performance, has become a testament to Boilen’s commitment to authentic, intimate musical experiences.

Beyond his work with NPR, Boilen’s personal website reveals a multifaceted artist. He’s authored a book titled “Your Song Changed My Life,” and continues to make music, both solo and with his band Danger Painters. His love for music is paralleled by his passion for photography, capturing moments from Tiny Desk Concerts to mesmerizing macro shots of nature.

In a recent note on the social media platform formerly known as Twitter, Boilen expressed his gratitude, stating, “After 35 years, I am leaving NPR. I’ve had the thrill of creating Tiny Desk Concerts, All Songs Considered, directing All Things Considered for 18 years and so much more. I love the people I’ve worked with, but it’s time to find new challenges. Thank you for listening/watching.”

As Boilen embarks on his next chapter, the music community remains indebted to him for his unparalleled contributions. His vision, passion, and dedication have shaped the way we experience music in the digital age. Here’s to Bob Boilen, the maestro who broke barriers and redefined musical storytelling for a generation.

Thank you, Michael

I rarely repost but now that this film is available on Prime Video, I wanted to revisit this post. When I was a child and even as an adult, I dreamed of being an astronaut. For all the people out there like me now comes a movie, with one of my favorite actors, Michael Pena. I don’t know if it will be a good, bad or mediocre but I am glad they made a film about people that follow their dreams.

In a world where those dreams often remain tethered to the ground, this film soars above, reaching for the stars and taking its audience along for the ride. “A Million Miles Away,” is set to premiere on Prime Video on September 15, 2023, and in select theaters on September 8, is more than a cinematic experience; it’s a tribute to the indomitable human spirit.

A Story Rooted in Reality

Inspired by the real-life story of NASA flight engineer José Hernández, “A Million Miles Away” is a tale of perseverance, family, and the pursuit of seemingly impossible dreams. From the rural village of Michoacán, Mexico, to the fields of the San Joaquin Valley, and finally to the International Space Station, the film follows José and his family of proud migrant farm workers on a decades-long journey.

Directed by Alejandra Márquez Abella and featuring a talented cast besides the aforementioned Peña it includes Rosa Salazar, and Bobby Soto, the film is based on the book “Reaching for the Stars: The Inspiring Story of a Migrant Farmworker Turned Astronaut” by José Hernández.

A Tribute to Dreamers

What sets “A Million Miles Away” apart is its dazzling tribute to the loyalty and tenacity of the entire Hernández family, as well as anyone who dares to dream. José’s unrelenting drive and determination, supported by his hard-working parents, relatives, and teachers, culminate in the opportunity to achieve his seemingly impossible goal.

The film’s narrative resonates with dreamers of all ages, backgrounds, and aspirations. Whether it’s a child gazing at the night sky or an adult still nurturing a childhood dream, “A Million Miles Away” speaks to the heart of human ambition.

In a time when the world needs inspiration, “A Million Miles Away” promises to be a beacon of hope and a testament to the power of dreams. It’s not just a film about an astronaut; it’s a film about all of us who reach for something greater, something beyond our grasp, something a million miles away.

As we await the film’s release, we are reminded that the journey to our dreams, no matter how distant, begins with a single step. And as José Hernández’s story shows, with unwavering support and relentless determination, even the stars are within reach.

Sailing into the sunset, remembering Jimmy Buffett

The world lost a little more sunshine this week with the passing of Jimmy Buffett, the iconic singer-songwriter and entrepreneur. While many knew him for his laid-back anthems like “Margaritaville” and “Cheeseburger in Paradise,” Buffett was more than just a musician; he was a lifestyle.

A Pioneer of Lifestyle Branding

In today’s age, where influencers and celebrities turn their lifestyles into lucrative brands, it’s easy to forget that Buffett was doing this long before it was a trend. Fifty years ago, the concept of turning a lifestyle into a brand was almost unheard of. Yet, Buffett managed to do just that, creating an empire that extended far beyond his music.

The Business of Being Buffett

Buffett’s business acumen was as sharp as his lyrical wit. He turned his love for the island life into a multi-million dollar empire, complete with restaurants, hotels, and even a line of merchandise. His brand, Margaritaville, became synonymous with a carefree, tropical lifestyle that millions aspired to.

More Than Just Music

I had the chance to see Buffett in concert once in Ohio. While I wasn’t particularly a fan of his music, what struck me was the atmosphere he created. It was a win-win social environment, devoid of drama and filled with fun. Buffett had a knack for making everyone feel like they were on vacation, even if it was just for a few hours.

A Legacy of Joy

Buffett leaves behind a legacy that is about more than just music; it’s about a way of life. He taught us that it’s okay to escape every once in a while, to find your own “Margaritaville” wherever that may be. In a world that often feels overwhelmingly complicated, Buffett’s simple joys feel more important than ever.

A Poet of Paradise

As tributes pour in from presidents and politicians, it’s clear that Buffett’s impact was far-reaching. He was, in the words of Politico, a “poet of paradise,” whose influence extended beyond the stage and into the hearts of people around the world.

So here’s to Jimmy Buffett, the man who taught us all to search for our own slice of paradise. You will be missed, but your spirit will live on in the countless margaritas raised in your honor.


Sources: Politico, Wikipedia

The day I became a writer.

Like many, my relationship with writing is a complex blend of love and frustration. When inspiration strikes, and time permits, I find that I can write quite well. Yet, those moments are rare, fleeting, and all the more precious for it. There were times when the words flowed effortlessly, and those instances were nothing short of glorious.

Writing is an intriguing endeavor, especially when one embraces the title of “writer.” For a period, I considered myself one. My experience in academic writing, authoring grants, contributing to peer-reviewed works, and holding patents, has shaped my understanding of what it means to be a writer. However, the general perception of a writer often leans towards the creative, the fictional, rather than the technical or academic. It’s an unfair distinction, but one that persists.

My journey into writing began during my undergraduate years in Bloomington, Indiana, at Indiana University. I discovered a local weekly newspaper, The Ryder, which was a unique blend of entertainment guide, trendsetter, and a platform for intriguing writing. It offered real investigative journalism, poetry, and occasionally, noir detective stories. I had the pleasure of writing some of those stories, and it was one of the most enjoyable experiences of my life. My Nick Dickerson stories were published, and the experience was transformative. It was a love affair with words that only other writers could truly understand.

My publisher, Peter LoPilato, hired me one summer day after a night at the Bluebird, the main music bar in town. He handed me Daniel Boorstin’s “The Discoverers,” a book that remains a favorite to this day, and instructed me to read a hundred pages. Our subsequent discussions led to my first assignment. I initially thought I would be covering local music, so I reviewed an upcoming show. To my delight, he liked it.

When I inquired about payment, he handed me a dollar and the book, saying, “You’re professional now, everything else is about negotiating a rate, and you wanna do that upfront.” It was a lesson, among many, that I will never forget. It was, in a word, glorious.

The Gender Mosaic of 2023: Triumph, Crisis & Transformation in Pop Culture

This post attempts to explores the complex interplay of gender dynamics in popular culture and the economy in 2023. It examines the unprecedented rise of women in entertainment, the crisis of masculinity, and the transformation of gender narratives. Drawing on various sources, this review offers a comprehensive analysis of the current gender landscape, highlighting both triumphs and challenges, and presents a multifaceted view of gender roles in contemporary society.

Introduction

In the cultural landscape of 2023, a profound transformation is underway. The entertainment industry is witnessing a female-led renaissance, while simultaneously, traditional male culture faces a crisis. This article delves into these phenomena to understand the intricate mosaic of gender dynamics shaping our time, reflecting on the implications for society, economy, and culture.

I. Women’s Triumph in Entertainment and Economy

A. Economic Impact: Female figures such as Taylor Swift, Beyoncé, the USWNT and Barbie are economic catalysts. Their influence boosts local economies and challenges traditional Hollywood norms, reflecting a broader shift in consumer behavior and market dynamics. At the time of this writing, the 2023 Women’s World Cup had over 2 billion viewers, double the amount from 2019, Barbie was the first female directed billion dollar film and Swift’s ERA tour is on track to break Elton John’s record for the largest earning musical event ever.

B. Empowerment and Healing: These cultural icons symbolize empowerment, healing, and a societal shift in values. They provide spaces for women to connect, heal, and celebrate their identities, fostering a sense of community and belonging.

C. Challenging Gender Norms: The success of female-centric ventures challenges long-held gender stereotypes, contributing to a broader cultural shift. This success sends a powerful message about the potential of women in leadership and creative roles.

D. Resistance to Popular Culture: An examination of resistance to popular culture reveals underlying biases and inequalities. This resistance underscores the need for continued efforts to promote inclusivity and challenge stereotypes.

II. The Crisis of Masculinity

A. Lack of Male Congregation Points: The lack of evolution in traditional male culture has led to a decline in male friendships and emotional expression. This reflects a broader crisis in masculinity, highlighting the need for spaces that foster healthy male relationships and emotional well-being.

B. Radicalization and Extremism: This crisis has given rise to extremist ideologies. The exploitation of gender issues by extremist groups underscores the importance of addressing underlying social and psychological factors.

C. The Harry Styles Phenomenon: The success of Harry Styles represents a shift in perceptions of masculinity. His appeal lies not just in his music but in his embodiment of progressive values, signaling a broader societal change in what is considered masculine.

D. Analysis of Male Engagement: The absence of male events engaging on the same level in 2023 is complex. It reflects cultural, economic, social, and historical factors, calling for a nuanced approach to male popular culture that aligns with contemporary societal values.

III. A Complex Gender Narrative

A. Gender Essentialism in Storytelling: Gender essentialism in pop culture reveals an oversimplification. This approach limits our understanding of gender, underscoring the need for more nuanced and inclusive portrayals.

B. Trans and Nonbinary Perspectives: The need for diverse gender experiences in storytelling highlights inclusivity. Embracing trans and nonbinary voices can enrich our cultural narratives and foster a more empathetic society.

C. Economic Resilience through Entertainment: Entertainment’s role in economic stability is evident in phenomena like Barbie and Taylor Swift’s Eras Tour. These cultural moments demonstrate the interconnectedness of entertainment, economy, and societal well-being.

D. Cultural Moments and Consumer Behavior: Cultural moments have broader implications for marketing and branding. Understanding how events like Swift’s Eras Tour influence consumer behavior can provide insights into the evolving relationship between culture and commerce.

Final Thoughts

The gender landscape of 2023 presents a complex mosaic of triumphs, crises, and transformations. The booming influence of women in entertainment and the economy is a positive development, yet the lack of adaptation in male popular culture and the persistence of simplistic gender narratives highlight underlying challenges. The path forward requires a nuanced understanding of gender, recognizing the diversity of experiences, and creating spaces for authentic expression. The year 2023 may well be a turning point, weaving a new pattern in the intricate tapestry of gender roles and their economics, with implications for future generations.


References


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Guilty pleasures #1

Alright, let’s switch gears a bit. I admit this blog dives pretty deep most of the time but every now and then we can find time to lighten up and this Tuesday is the season premiere of the Hulu hit, “Only Murders in the Building”. For me, it’s something of a guilty pleasure.

If you’ve been following along as closely as I have, you know we’re in for a wild ride this upcoming season. But if you haven’t let’s break down what’s on the horizon.

Recap:
Season two left us with quite the cliffhanger. Our main trio – Mabel, Charles, and Oliver – found their paths crossing again a year after going their separate ways. Charles is back in the game, starring in a reboot of his hit series, Brazzos. Mabel’s got her hands full renovating her apartment with Alice, and Oliver? He’s directing a Broadway play. But here’s the kicker: as the curtain rises, Charles drops a bombshell on Paul Rudd’s character, Ben Glenroy, with a chilling “I know what you did.” And then, out of nowhere, Ben’s down for the count.

New Blood and Familiar Faces:
Paul Rudd’s sudden entry and exit isn’t the only shake-up this season. Enter Meryl Streep as Loretta Durkin, an actress trying to find her footing in Oliver’s play. The trailer’s got everyone talking – is she behind Ben’s sudden demise? But word on the street (or rather, Hulu’s synopsis) suggests she might be more of a help than a hindrance to our investigative trio. We’ve also got Jesse Williams’ Tobert and Ashley Park’s Kimber joining the fray. And of course, our old favorites like Tina Fey and Jane Lynch are back in action.

What’s Next:
This season’s pulling out all the stops with a dual timeline narrative. We’re going to be jumping back and forth, piecing together the events leading to Ben’s end while keeping up with the trio’s present-day sleuthing. And here’s something to chew on: this season’s putting Oliver front and center. What skeletons does he have in his closet?

Mark your calendars – “Only Murders in the Building” returns to Hulu on August 8. We’ve got two episodes dropping right out of the gate, with the rest rolling out weekly till the grand finale on October 3.

Points to Ponder:

  1. Streep’s Role: Meryl Streep’s no small fry. What kind of curveballs is her character going to throw our way?
  2. Narrative Twists: Dual timelines can be a double-edged sword. Will this new approach keep us on our toes or leave us scratching our heads?
  3. Digging into Oliver: With the spotlight on Oliver, what’s going to come crawling out of the woodwork?

Gear up, it’s going to be one hell of a season. Let the games begin. 🎬🔎🍺

Is Atlanta ready for its closeup? The Impact of the Ongoing Strike, and the Effect on the Minority Film Industry

The ongoing actors and writers strike has cast a spotlight on Atlanta’s burgeoning film industry, revealing the challenges faced by non-union workers in a state that is not particularly union-friendly. However, the story of Atlanta’s rise as a major hub for film productions is not just about the workers; it’s also about the state’s attractive tax incentives.

The Georgia Entertainment Industry Investment Act provides a film tax credit for a variety of productions, including feature films, series, pilots, movies for television, televised commercial advertisements, music videos, and qualified interactive entertainment projects. This tax credit has been a significant factor in attracting film productions to the state.

To be eligible for the film tax credit, a project must be approved and certified by the Georgia Department of Economic Development. The Georgia Department of Revenue then reviews the production’s cost documentation and certifies the amount of the film tax credit.

Productions must incur a minimum of $500,000 in qualified costs to begin the process of obtaining a Film Tax Credit. Starting from January 1, 2023, all productions certified by the Department of Economic Development are required to provide information to obtain the film tax credit.

The tax credit has undoubtedly contributed to Georgia’s appeal as a location for film production. However, the ongoing strike has highlighted the state’s low unionization rate and the challenges this presents for non-union workers.

Prominent actors and writers, including Rachel McAdams, Kevin Bacon, and Bette Midler, have joined the strike, leading to a nationwide halt in movie production. In Georgia, non-union workers are feeling the brunt of the strike. Tiyra Rogers, a makeup artist who started working with film productions in Atlanta last fall, is one of the many non-union workers affected. With film work becoming inconsistent due to the strike, she has resorted to working for a dentist’s office, hoping for a swift resolution to the strike.

The actors and writers on strike are seeking improved streaming residuals, better wages, improved working conditions, and assurance that AI will not replace their jobs.

The ongoing strike has had a significant impact on non-union film workers trying to break into the Atlanta scene, many of whom are minorities. These workers, who are not yet part of a union, are finding it increasingly difficult to secure consistent work in the industry.

Lewis Toms, a carpenter and a background actor, moved to Georgia from Florida for a chance to work in the film industry. However, he has found it challenging to find work over the last few weeks. Despite the hardship, Toms supports the strike, believing that non-union members will also benefit from a new contract.

The strike has highlighted the precarious position of non-union workers, many of whom are minorities trying to break into the industry. The lack of union protection leaves these workers vulnerable to the fluctuations of the industry, and the ongoing strike has only exacerbated this issue.

The strike has also brought to light the broader challenges faced by minorities in the film industry. These include barriers to entry, lack of representation, and limited opportunities for career advancement. The resolution of the strike and the industry’s response could have significant implications for the future of diversity and inclusion in Atlanta’s film industry.

The Impact of Strikes on Non-Union Workers

The ongoing strike has significantly affected non-union workers in Atlanta’s film industry. The question remains: How can these workers navigate this challenging period, and what measures can be put in place to protect their interests in future strikes?

The Role of Tax Incentives in Media Production

Georgia’s unlimited tax credits have made it a major hub for film productions. It’s worth exploring how these incentives have shaped the media production landscape in the state, and what the potential long-term effects could be.

The Future of AI in the Film Industry

The strike has brought to light concerns about AI potentially replacing jobs in the film industry. As advancements in AI technology continue, it’s crucial to consider how they might impact various roles in this industry, and what steps can be taken to ensure job security.

The Impact of Strikes on Minority Non-Union Workers

The ongoing strike has significantly affected minority non-union workers in Atlanta’s film industry. The question remains: How can these workers navigate this challenging period, and what measures can be put in place to protect their interests in future strikes?

The Role of Unions in Promoting Diversity and Inclusion

Unions play a crucial role in promoting diversity and inclusion in the film industry. However, with Georgia’s low unionization rate, many minority workers are left unprotected. How can unions and the industry work together to improve diversity and inclusion?

The Future of the Minority Film Industry in Atlanta

The strike has brought to light the challenges faced by minorities in Atlanta’s film industry. As the industry continues to evolve, it’s crucial to consider how it can become more inclusive and provide better opportunities for minority workers.

As the strike continues, the future of Atlanta’s film industry hangs in the balance. The resolution of the strike and the state’s response could shape the industry’s trajectory in the years to come.